Five (Plus One) Tips for Flawless Copy

by Ann-Margret Hovsepian

If you want to play the trombone professionally, you need to work at it. If you want to cut hair, make furniture, or sell insurance, you need to learn how.

Writing is a craft that, like any other, you must learn well and get better at. Yes, natural talent and creativity play a part, but if you want people to take your writing seriously, pursue excellence.

Here are my top tips for submitting a polished manuscript every time.

1. Get it on the page.

When you bake a cake, you dump all the ingredients in first. You don’t start to decorate the cake until it’s baked and cooled down.

In the same way, resist the urge to copy edit until after your piece is completely written. You may need to refine the content as you go, but don’t waste time correcting sentences or paragraphs you might later delete. (In fact, if you aren’t close to deadline, let your writing sit for a while. Putting some distance between yourself and what you just wrote can give you perspective.)

You can’t edit what you haven’t written, so put your first burst of energy into writing. Get it all down, as much as possible, even if it sounds lousy. Once it’s all on the page, you can start to clean it up.

2. Relax your grip.

When you’re ready to edit, put aside any affection you have for your manuscript. Don’t keep a sentence or paragraph just because you think it’s brilliant or it took you hours to write. If it doesn’t fit in, take it out. Read your work with the eyes and ears of a stranger.

3. Fact-check.

Fact check and then double-check your fact-checking. Editors don’t like finding out they published wrong information. Save everyone embarrassment and frustration by checking numbers, geography, name spellings, titles, dates, and references.

4. Watch sentence and paragraph lengths.

The energy of a written piece is often directly related to the length of its sentences and paragraphs.  So if you’re dozing off while proofreading, consider those factors.

If a sentence takes up more than two lines of type, shorten it. It should not contain more than one idea. Express the central idea first. If necessary, use separate sentences to include other significant points. Same thing with paragraphs: Make your most important point at the beginning of the paragraph.

The traditional approach is one theme per paragraph. That’s generally a good idea but sometimes a new paragraph can emphasize a point in the previous one, it can indicate a change in time or place, or simply break up text that is getting too dense.

Paragraphs are visual punctuation. Your paragraphs should not look bigger than a hamburger. On average, look at 100 to 200 words, but sprinkle in shorter or longer ones as necessary, which helps avoid monotony and making the reader’s eyes glaze over. For example, opening and concluding paragraphs might be shorter, and topics that need serious and in-depth discussion might be longer.

5. Crosscheck before take-off.

Read through your story one last time while comparing it to the details laid out in your assignment or contract. Tie up loose ends, submit your manuscript to God and then submit it to your editor. (On time!)

Remember that these five tips won’t make up for copy that’s shoddy. I’ll talk about eliminating weak writing (that’s the “plus one” promised in the title) in my next post (on March 2).

Photo by JESHOOTS.COM on Unsplash

Perseverance

I do not think there is any other quality so essential to success of any kind as the quality of perseverance. It overcomes almost everything, even nature.

– John D. Rockefeller

Timing, perseverance, and ten years of trying will eventually make you look like an overnight success.

– Biz Stone, Twitter co-founder

For this very reason, make every effort to add to your faith goodness; and to goodness, knowledge; and to knowledge, self-control; and to self-control, perseverance; and to perseverance, godliness; and to godliness, mutual affection; and to mutual affection, love.

2 Peter 1:5-7

Sometimes You Have to Say No

by Randy Petersen

I couldn’t believe my good fortune. A major Christian publishing company was offering me thousands of dollars to write a curriculum series. I had done a good amount of curriculum before, but this rate was more than double what I usually received. Hallelujah! For a making-ends-meet freelancer, this was a gift from on high.

A speaker had created some video teaching sessions, and the company wanted me to create Bible study lessons around them. I was confident in my ability to do this, but there was one problem. When I read over the transcripts of the videos, I completely disagreed with what the speaker was saying.

This wasn’t a minor theological quibble. I had a major problem with the whole thing. It appeared he was pushing a particular political viewpoint and applying Scripture to it irresponsibly. I questioned whether churches should be spending their Bible study time on this propaganda. I certainly didn’t want to help make that happen.

So I called the editor and regretfully backed out of the project. And I threw out my list of all the things I was going to buy with that money.

You Get What You’re Paid for

Earlier in my career I had another job I considered high-paying at the time: a brochure for some Christian ministry. It only took me a few hours to write, though the payment was enough for a week of work. And just when I started to count my blessings, I got a call. They wanted a rewrite. Then another rewrite. Then another. I wasn’t quite getting what they wanted, though they weren’t quite sure what that was.

I ended up giving them that week of work, and then some.

A similar situation occurred this year, though in a much more positive vein. I got a huge project that was expected to take two months, though it paid enough for six. I loved this work, but it was hard. As we dug in, my editor, his boss, and I all realized that the task was far greater than expected. It actually took—you guessed it—six months.

From these and other experiences. I’ve drawn a basic principle of freelancing: You get what you’re paid for. That is, the actual work will expand to match the amount you’re paid.

Sure, there are exceptions, and those are sweet. But a good rule derives from that principle: Don’t take a job just for the money. If you have problems with the people you’ll be working for, the content you’re asked to create, or how it’s going to be used, don’t let money sway you. Pay attention to those problems.

Of course Jesus challenged us not to let money be our master, but in addition to that, I offer the Rule of Expanding Obligation. That high-paying assignment is likely to exact a payment from you—in terms of extra work, frazzled relationships, even lost sleep.

If it’s a task that brings you joy, wonderful! Throw yourself into it, even if it takes longer than you expect. But if the paycheck is the most enticing thing about the assignment, beware. You pay for what you’re paid for.

Keep Office Hours

I have found that unless I make myself some office hours and stick to them—8.30 to 11 A.M. and 1 to 3 P.M.—I don’t do any writing. I pick some wild flowers and arrange them, wash the dog, and make a cake, and then it’s too late to start this morning. So I read another chapter of the book I started last night and go swimming. Morning is really the time your mind is clearest, I remember being told. There’s no sense in trying to start writing in the afternoon. So I’ll write tomorrow. I really will.

But I wouldn’t if I didn’t have my office hours. If I can’t think of anything to write about, I just sit in front of the typewriter and brood.

― Louise Rich Dickinson

Where’s the Freedom in Freelancing?

by Lori Arnold

For the better part of a year, workers across the country—and the globe—have discovered a little secret that freelance writers have known for years: It is possible to work from home and earn an income. It’s possible to not just survive, but to also thrive.

When COVID-19 restrictions forced most Americans to work from home last spring to accommodate stay-at-home orders, many scrambled to create workspaces in bedrooms, dining rooms, closets and sheds. They struggled to establish boundaries even as their children began distance learning. (For a terrific resource on working in your jammies, check out this e-book, The Joy of Working at Home, by four Evangelical Press Association freelancers.)

But those of us who are established freelance writers were already well entrenched, thanks to laptops and the Internet. We’ve managed to cut the employment cord by using cell phones, Zoom, Skype, and Google Hangout for interviews. We publish with InDesign and QuarkXPress, and keep all the details straight with Trello and Redbooth. Each of these advances has completely revolutionized the act of gathering and telling stories.

I often marvel at the opportunities to practice my craft. There’s never been a better time to be a freelance writer—technically speaking—and I was well positioned to meet the shelter-in-place demands to stay at home without interrupting the income stream.

Except . . . I live in California.

In January 2020, two months before coronavirus infiltrated our vocabulary, California implemented a new law aimed at so-called “gig” workers. Gig is a clever and broad-based moniker for independent workers. Think of musicians who hire out for entertainment gigs.

In essence, the new law removes the free from freelancer as the government seeks to control the who and how of our work. The new reality is: There is no freedom in freelancing.

The nexus for AB5 was a 2018 state Supreme Court ruling requiring employers meet a three-prong test to use independent contractors. Another factor was complaints of unfair labor conditions, most notably by drivers for ridesharing giants Uber and Lyft.

Convinced that all California freelancers needed saving, San Diego Assemblywoman Lorena Gonzalez, a former union organizer, seized the opportunity to create legislation designed to coax employers into making independent contractors part-time employees by placing significant restrictions on their use. The bill, however, went well beyond transportation services. It impacted videographers, writers, photographers, interpreters, truck drivers, janitors, health care professionals (but not doctors), health aides, performers, and landscape architects. There are special carve-outs for accountants, attorneys, real estate agents, and dozens of other specialized occupations.

Because of the broadness of the bill and its random caps, it’s deeply flawed. California freelance writers, for instance, were suddenly limited to 35 articles per publication annually. In an October 2019 business article for The Hollywood Reporter, Gonzalez addressed the restrictions impacting journalists.

“Was it a little arbitrary? Yeah. Writing bills with numbers like that are a little bit arbitrary,” she confessed to reporter Katie Kilkenny.

The problem with her plan is that news outlets are using independent contractors for a reason. With declining ad revenues and circulation, they can’t afford the cost of salaries and benefits for employees.

The plan backfired.

Although the bill applies only to California businesses, some companies outside the state, fearful of violating the law, also blacklisted freelancers, saying it’s too cumbersome to track the story counts. The fine is steep, $5,000 to $25,000 per infraction. Additionally, according to the Orange County Register, employers can be forced to retroactively cover payroll taxes, overtime pay and other costs.

The Personal Cost

For me, practically, I reached that 35-story limit with my (then) biggest client in April and I was kept from contributing to them until January 2021. The clock starts over in the new year.

It is particularly irksome that the state has decided freelancers are not wise enough to determine the best professional pathway for their families. One lawmaker, Sen. Hannah-Beth Jackson, went so far as to dismiss journalists’ concerns about AB5 by saying they were upset because their “lollipop” was taken from them. (I would argue that, before the state got involved, it was more like “Good & Plenty.”)

While I thrived in corporate work settings for three decades, working for myself allows me the flexibility I need to help with an aging parent, to spend coveted date days with my semi-retired husband, and to maintain my health by spending precious hours each week at the YMCA pool.

But there’s good news. The reaction from the journalism community in California was swift. Bending to pressure, Assemblywoman Gonzalez authored a fixer bill to remove that cap, one of several tweaks to the ill-conceived AB5.

The new fix for writers, AB 2257, passed through the legislature this summer and Gov. Gavin Newsom signed it into law as an urgency measure on Sept. 4, meaning it went into effect immediately. Unfortunately, my client remains skittish and has yet to approve my return to their freelance roster.

National Push in the Works

Why does this matter to freelance writers in America’s other 49 states?

California has long been known as a bellwether state—legislation here usually sweeps across the country. Several other states, including New York, New Jersey, and Illinois, are already considering similar laws.

In February, Congress passed the Protecting the Right to Organize (PRO) Act, mostly along party lines. H.R. 2474 is a multi-faceted bill that stifles independent contractors while also dismantling right-to-work protections by forcing all employees to fund union activities through dues. The bill got stalled in a Senate committee, but in September Joe Biden tweeted his support.

In an article just weeks before the Nov. 3 election, CNBC reported freelancers nationwide were widely concerned about their livelihoods in light of H.R. 2474. In a February piece for Forbes, Erik Sherman warned the union-sponsored bill was actually hurting the workers they were seeking to protect.

The saving grace for Christian freelancers is that we serve a miracle-making God, one who is bigger and more powerful than government. As is his way, as soon as the state closed one door, God opened another for me through a national ministry that showed great compassion as they waded through the murky elements of AB5. Although it took more than six weeks to maneuver through their legal department, they ultimately decided to take a chance on me. Ponder that. They pursued me in spite of the government-mandated obstacles.

And God is able to bless you abundantly, so that in all things at all times, having all that you need, you will abound in every good work.

2 Corinthians 9:8

Lori Arnold is a national, award-winning journalist who spent 30-plus years as a writer-editor for both a daily community newspaper and at the Christian Examiner. She owns StoryLori Media and her work’s been published by Christian Headlines, Cru Inner City, EPA Liaison, LifeWay, Teachers of Vision and Metro Voice.


			

Christmas Greetings from Our Team

We appreciate each reader who follows, reads, comments on, and shares our blog posts. As we prepare to celebrate Christmas in a few days, four of our writers would like to share some thoughts with you. Enjoy!

Christmas Drama

by Randy Petersen

For a decade and a half, I wrote a new Christmas drama for my church each year. I loved doing this, but it became a huge challenge to find an angle we hadn’t tried before. Allegory? Been there. A zany innkeeper? Yep. Time travel? Every which way.

An approach we began to use exclusively was the modern-world story in which characters encountered and internalized the Christmas story in some way. This was a challenge too, because I always wanted to avoid a hokey conversion scene. I found that incremental changes in a situation or relationship carried more power. Two estranged sisters beginning to talk again. A prodigal daughter with an illegitimate child being welcomed home for Christmas dinner.

As a Christian communicator, you’ve probably wrestled with this too, or something like it. The Greatest Story Ever Told has been told many times. We don’t need to improve on it, but we do need to bring it home. How does the miracle of Christmas apply to the Worst Year Ever Lived (at least in the 21st century)?

It’s an honor to share this assignment with you, my freelancing colleagues. So as we go through this season and into a new year, let our creativity flow, our imaginations bursting forth with innovation, our hearts brimming with empathy, our minds honed to extreme clarity. May the miracle of Christmas invigorate our language as we find new ways to bring glory to God in the Highest.

Treat Yourself to the Joy of Writing

by Ann Byle

The holiday season can wreak havoc on your writing schedule, what with all the present buying and wrapping, decorating, making food for special meals, and gathering with friends and family in person or virtually. On the other hand, it can be a lonely time for those whose family is gone or far away.

Whatever kind of season you experience, finding time and space to write can be an oasis of calm in a fraught season. Search out those half hours of time to calm your heart and mind and write a few paragraphs. If time is all you have, start a project you’ve only dreamt of so far. Treat yourself to the joy of writing this holiday season in small pieces or days at a time. Writing time is never wasted and is the best gift ever.

My plan? Write when I can amid lots of activity, write when I have no other choice except to go bonkers, and write with joy and intention. And look forward to Ordinary Time when things settle back down sometime in January. May joy and peace be your companions this holiday season.

The Message

by Stephen R. Clark                                                                                                                   

The season speaks to us, a secret signaled incessantly in blinking lights and garland flags of pine and tinsel. Green with hope and red with joy, the message turns our thoughts outside our own needs, desires, and wants.

Trees suddenly grow indoors, decorated with memories, bearing the fruits of love and time. Gilded and ribboned packages magically appear under these incongruous evergreens—expectations and dreams captured in cardboard boxes.

At night, the air aglow with star shine on the snow, whisps of angel songs drift white and pure straight into our hearts. We gather inside our homes around hearths ablaze, warmed by goodwill and God’s grace. On the mantle, the story of Christ’s birth is played out in a motionless menagerie, objects of simplicity and awe.

Through eyes of innocence, we look past the nascent Nativity, just beyond the horizon of the season, where the new year waits poised with promise. The Message of the season fells fear of the future as the immanence of Christ’s presence is again heralded by the world.

Childlike, we are reborn, our voices and souls caroling the Gift of the Ages, in whom we live, and move, and have our being. It’s Christmas. Emmanuel is come. Maranatha!

If You Were a Christmas Carol, Which One Would You Be?

by Ann-Margret Hovsepian

As you listen to the same carols over and over (and over and over) again this season, try this: Ask yourself which titles best describe your life. What message does your life— and, by extension, your writing—send out to those who are listening? Here are several examples to get you started.

  • What Child Is This? — Is Jesus unknown to you? Are you seeking Him?
  • Do You Hear What I Hear? — Are you so intently focussed on what God is saying to you that you are eager for others to hear Him as well?
  • Come Thou Long Expected Jesus — Do you desire to be close to Jesus? Do you tell Him so?
  • Silent Night — Are you able to be quiet and reflective of God’s gift or is your holiday full of noise and activity?
  • How Great Our Joy — Does your relationship with Jesus fill your life with great joy?
  • Go Tell It on the Mountain — What’s the message you send out to people at Christmas? That you’re excited and stressed about all your festivities and preparations, or that the birth and life of Jesus is the best gift you’ve ever received?

This Christmas, just as these songs proclaim the good news of Jesus’ birth, may our lives of joy, peace, and love do the same.

Highlight Reel

by Ann-Margret Hovsepian

A couple of years ago, this blog was just a gleam in our eye (which sometimes made me wonder if I needed to clean my glasses yet again) so it’s exciting to look back over the last year of activity on the Christian Freelance Writers Network blog. We weren’t sure whether it would take off and now we’ve already got material lined up for our readers for the next few months, so we’re not even close to running out of posts to share with you!

Some of you are new to this blog, so you may have missed the earlier posts. Today, to celebrate CFWN’s first anniversary, I’m going to highlight several posts you shouldn’t miss (or might want to revisit). Click on the titles to read the posts.

In no particular order…

The Best Way to Be Creative (It Involves Coffee) by Anita K. Palmer

As writers we tend to work in isolation. An original idea, though, most often does not come in a lightbulb moment. No “eureka!” Good ideas need a community.

5 Tips to Enrich Your Pitch by Randy Petersen

Is our breadth keeping us from finding a successful niche? Is our desire to be everything to everyone keeping us from being anything to anyone?

Three Essential Qualities by Jen Taggart

Having cerebral palsy has helped me to develop empathy, problem-solving skills, and humor. These three qualities are essential for anyone to have, especially a freelancer.

Pursue Excellence, Not Perfection by Ann-Margret Hovsepian

When we breathe God into the things we create and produce—when we do what we do with love and humility and generosity—we raise them from the level of “good” to “very good.”

5 Questions to Ask Before You Challenge Your Editor by Michael Foust

Imagine, for a moment, that your story is a triage unit, and you’re determining which patients need the most help.

Is Writing a Spiritual Gift? by Joyce K. Ellis

Just as some pastor-teachers use their gift in large congregations, others at racetracks, and others in children’s work, some of us use ours in print.

Ten “Its” for Writing Well by Stephen R. Clark

For many, writing well in a compressed period of time seems impossible. But you can write quickly and write well. 

Thank you for following our blog! We’d love it if you shared it with your writing friends, students, and groups.

P.S. To find more writing and freelancing tips, use the “Categories” or “Past Posts” lists on the right to access our archives.

The Tools of the Game

by Rachel Dawn Hayes

When my husband and I made the decision for me to leave my corporate job (and corporate salary) and start freelancing, I know he harbored skepticism. He has confessed that he thought I was angling for early retirement. Within a few weeks, however, he had a turnaround. What changed his mind? He’ll tell you himself that it was how I approached my writing like a real business. I set up accounting and time management systems and practiced a lot of self-discipline. To this day, he has actually never come home early to find me watching soap operas and eating bon-bons—not even as a part of my “creative process.”

Despite what we’ve learned from Jessica Fletcher, Carrie Bradshaw, and other writers from the screen, making a go of freelance writing as a full-time job leaves little time for solving mysteries, attending fashion shows, or sauntering into coffee shops mid-morning to shoot the breeze with the barista. The beauty of working for yourself is that you do have the flexibility for those things, but if you actually want to keep eating and pay your bills, you have to set yourself up as a business and behave like a professional.

There are a few practices I adopted and tools I utilized along the way that helped me. I’ll share a few in the areas of bookkeeping, time management, and business development.

Bookkeeping

Business Checking—For the cost of whatever your financial institution’s minimum deposit is (mine was $100) you can have an entirely separate account (and debit card) for all of your freelance-related expenses. While it’s nice to keep your writing income in one place, the best reason for doing this is keeping up with your expenses for tax preparation. If this account is tied to the bookkeeping app you use—all the better.

Bookkeeping Software—I use QuickBooks and have had a good experience. However, other free or lower-cost options include FreshBooks and Sage. Find one that fits your budget and make sure it can:

  • Produce and track professional invoices
  • Sync with bank account(s) and track expenses
  • Create and export reports such as Profit & Loss

Time Management

Time Tracking Apps—At first, I was tracking the time I spent on different projects in a Word document. Yes, Excel would have been the better option, but…writer. Then I discovered Toggl—a free time tracking app. Its intuitive and visually simple design makes quick work of setting up new projects and the built-in timer allows me to easily track my time and generate reports for projects I bill by the hour. I also use it to keep track of the time I spend on flat-fee projects, business development, and pet (read: unpaid) projects like my short-lived food and wine blog. So Toggl is my pick, but here’s a list of some paid versions with more bells and whistles, if you’re into that.

Schedule—I’m a morning person, and while I don’t understand you night owls AT ALL, to each his own. Make a schedule that works for your life and makes the most of your productive time. As long as coffee is involved, I prefer to get up at 5 o’clock in the morning and work until noon. That’s when I’m at my best. After lunch I’m less brilliant, and by evening my 3-year-old could write better copy. Therefore, I’ve always had a schedule that was morning-loaded. The schedule you keep is not the thing—the thing is that you keep a schedule.

Business Development

The Query Hour—As client lists and workloads grow, business development is the area that is most often neglected, but it is so important to the continued flourishing of your freelance business. “I’m so busy! It doesn’t make sense to look for new work right now.” You don’t do business development because you need work now, you do it because you need work next month. I do my best—I’m certainly not perfect—to spend a fixed amount of time on business development every week. For me, that looks like brainstorming story ideas, researching publications and editors, writing and sending pitches, and sometimes working on my website. Whatever it is for you, make regular time for it and stick to it.

Join a Group—If you’re reading this, there’s a good chance you’re already a member of the Evangelical Press Association. Great job! In addition to the national organizations, local groups are great because when we’re not in a pandemic you can often meet in person for great educational programming and networking opportunities. Join committees and show off your expertise a little—it often turns into paid work.

And of course, there’s a group for everything on Facebook and it’s a great place to get almost instantaneous feedback and connection. In your PJs. 

Reach Further

by Joyce K. Ellis

Ima Writer couldn’t wait to get to her former college roommate’s fortieth birthday party. She placed her gift in a white box, added sparkly tissue paper inside, then wrapped the box in a flowery gift wrap she knew Hope would love. When she got to the party, many of their friends had already arrived, and a dozen gifts piled high on the table next to the black-frosted “Over-the-Hill” cake. Ima slipped her gift among them.

Later, laughter erupted as Hope opened gag gifts, such as Metamucil, denture cleaner, and Depends. But lovely gifts, such as jewelry, framed mementos, and a favorite movie soundtrack CD drew oohs and ahs.

Hope saved Ima’s gift for last. Pawing through the sparkly paper, she stared. Silence. Then she managed, “Um…a magazine?…Uh…thanks.” More of a question than a statement.

“Hope,” Ima hurried to explain, “remember I told you I finally got published? Look, my article is on page 40. Ironic, eh?”

“Great.” Hope’s cheerfulness sounded forced. “When you told me on the phone you finally got published, I thought you meant a…a…book. But this is…um…nice.”

Truly, in our society, people may not respect you as a writer unless you have written a book—even if you’ve written hundreds of articles. And writers who produce magazine articles may feel they haven’t arrived until they see their names on a dust jacket.

Comparisons

Far from being inferior, article writing can actually maximize our ministry potential, extending our reach more than we could ever imagine. Compare:

Average sales of first book: fewer than 5,000 copies, likely out of print in a year or less.

Now consider the circulation numbers of this sampling of Christian magazines.[1] And remember, many copies are read by more than one person.

Did you hurry past those numbers? Read them again. Staggering!

The magazine market has shrunk considerably in recent years, and many print magazines have vanished or gone online. Still, a plethora of editors are still looking for a plethora (I do love that word) of good material. From freelancers. From freelancers who “get” that particular magazine’s style and audience. From freelancers who can bring a fresh voice while fitting in.

That’s why, in nonpandemic times, so many already-swamped editors take time away from work to serve as writers conference faculty. Even during COVID, they prioritize time for virtual appearances. They’re looking for dependable, skillful writers who have something worthwhile to say. The 2020 Christian Writers Market Guide includes almost a hundred pages of magazines looking for our work.

As a bonus, for writers tired of the word platform, article writing can stretch both time and dollars, often shortening the time between project completion and paycheck.

In addition to print and online magazines, of course, who can calculate the potential outreach of blogs and other online posts?

Bullet or Stalactite

Books and articles are both important, but I like to compare them this way: A book is like a bullet, a one-shot ministry opportunity. But articles are like stalactites—a steady dripping of hope into the hearts and minds of our target audience. And if we develop a good working relationship with an editor, we can often keep “dripping” into that audience for a long time.

Every article we publish is a precious, heart-to-heart present we can give to the Master we serve and to the readers we reach.

“Each of you should use whatever gift you have received to serve others, as faithful stewards of God’s grace in its various forms” (1 Peter 4:10, italics mine).


[1] Sources: The 2020 Christian Writers Market Guide, The 2020 Evangelical Press Association Membership Directory, and the Guideposts website.

Time to Fly

by Lisa A. Crayton

One day

That two-word phrase has tanked many Christian writers’ hopes of publishing. While we wait for one day—a day that does not exist on any calendar—we languish in dreams deferred and wallow in regret because oneday we did not take to heart Ecclesiastes 3:1 and submit work for publication or query a dream market.

That famous verse speaks of beginnings and endings. It often reminds me of my first forays into freelance writing. I had quit my corporate job, acting on what I believed was God’s instruction to become “a Christian writer.”

I did not fully understand what that meant. I did know it meant stepping out of my comfort zone and pursuing writing that draws readers into closer relationship with Jesus Christ. It also meant writing for publication, a process that takes words from my heart—and, sometimes, my journals—and placing them before editors who can bring them before audiences small and large. 

I failed miserably in those early days, but I knew that on some Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, or Sunday, if I kept perfecting my craft, querying, and submitting my work for publication, I would realize my dream of being a Christian writer. I was right!

Writing is only one aspect of yielding our words for God’s use. Publishing is the other. One of the greatest barriers to publishing is the reluctance that prevents us from seeing beyond our creativity and marketing efforts to the end results: lives changed. 

Reluctance almost made me miss the opportunity to strengthen the faith of a childhood friend about a decade ago. I was a scheduled member of the faculty of an out-of-state Christian writers’ conference. As the Saturday before the event neared, I kept dithering about my attendance and toyed with cancelling my appearance, but God kept reminding me of Ecclesiastes 3:1. There’s a time for everything. It was time to fly.

Struggling with indecision fueled by reluctance I went to church on Sunday. My pastor’s sermon was “Time to Fly.” When he announced the title, I chuckled, knowing God was secretly sending me a message to stick with my plans.

I flew out the next day. I soon realized God had another purpose for my visit to California. Because of the time zones, I had to stay an extra night after the event. That evening I met with first-ever best friend and her sister. We had a delightful time reconnecting after more than two decades of not seeing each other. For years we had promised to one day visit each other but never did. 

Before they left my hotel room in the wee hours of the morning, I prayed for them, asking God to bless them. A short time later, my friend shared she had recommitted her life to Christ thanks, in part, to my visit. Speaking with her, I understood Ecclesiastes 3:1 more than ever before. I’d wanted to stay home, but I had to fly so that another soul could reconnect with God. 

One day does not exist. For Christian writers to achieve our goals—and God’s ultimate plans for our writing—we must overcome self-placed barriers to publication.  Sure, there’s a worldwide pandemic. Sure, it’s hard to focus because of local, national, and international happenings. Yet, perhaps more than ever, God is saying, “It’s time to fly.”

 It’s time to toss aside one day thinking and commit to writing, and releasing our work on a given Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, or Sunday. Only then can we fully realize God’s greater plans for our creativity. Only then can potential readers receive much-needed encouragement, hope, and peace during and after the pandemic.

Lisa A. Crayton is an editor, award-winning freelance writer and multi-published author, including 15 nonfiction books for kids/teens. She loves helping writers, and challenging them to achieve their goals and dreams! Connect with her on Facebook.